Pat Foy is a Philadelphia comedian and member of sketch comedy group Camp Woods. They are debuting a new show next Thursday and Friday at Philly Improv Theater (Facebook event).

How and why did you get into comedy? In school, whenever there was an option to perform a short skit, write a silly script, or make a stupid video for a homework assignment, I took it. In high school, my friends and I ran for student council for the sole purpose of making funny signs and writing funny speeches. Clearly, I had a hard time taking school seriously. I have the transcripts to prove this.
Shortly after college, my buddy Kevin Kelly started writing comedy sketches with his childhood friend JP Boudwin. Since Kevin and I had made a few comedy videos together, both for school projects and otherwise, they asked me to come to a few writing sessions and see if it was a good fit. We all cracked each other up, wrote a bunch of stuff we liked, and that was the beginning of Camp Woods.

How would you describe your style as a comedian? What influences and factors do you think contribute to that? I guess it’d be a cross between dryness and absurdism. I also like stuff that mixes the highbrow and the lowbrow. That might come from all the Mystery Science Theater 3000 and The Simpsons I watched growing up. But then again, I watched a lot of Home Improvement, too, so who the hell knows?

Do you have a favorite show or venue you like to perform at? What about it makes it fun or special for you? There’s nothing quite like doing a show at a packed-out Shubin Theatre. When every seat is filled and people are standing in the aisle, there’s a really great energy in the room that the performers benefit from. The Shubin also seems to attract audiences who are really excited to see comedy, rather than people who just want to hang out with their friends and talk in the back of the room.

Do you have a single favorite moment in Philly comedy or one that stands out? The impromptu four-on-four wrestling match between Camp Woods and the #AmericaGethard crew at January’s Bedtime Stories was probably the weirdest, most memorable thing I’ve been involved with so far. When I came to Connie’s Ric Rac that night, I was not expecting to body-slam strangers in front of a crowd or be forcibly thrown from the stage. As a side note, I’m very grateful to those guys for cutting out of their video the part immediately post-match, when I’m doubled over onstage, gasping for breath and trying not to puke everywhere.

Do you have any sort of creative process that you use with your writing or your performance? Or a sort of method that you use to develop comedic material? Most of my ideas come when I’m doing something else, like taking a shower or hanging out with friends or sitting at my desk at work. I’ll write it down in a notebook, then come back to it later when I get a chance to work it out. Sometimes I’ll write a fully-formed first draft on my own and bring it to a writing meeting. Sometimes I’ll bring just the idea to a writing meeting or a workshop and bounce it off people, and the sketch ends up going in a totally different direction than I would have guessed. If the idea is super-specific, I’ll usually try to use it as an essay or short humor piece rather than a sketch. Sometimes things are just funnier to read than they are said out loud, and vice-versa.

What is it about stand-up / sketch / improv that draws you to it? As I said earlier, I wrote a lot of sketches, or attempts at sketch comedy, when I was younger, so I think it’s just the most natural way for me to express humor. I like being part of a group, and I like having a plan, so sketch fits both of those things pretty well. I’m drawn to stand-up and improv because they’re both so intimidating, and I will, I swear, try them both soon.

Do you have any favorite performers in the Philly scene? Why are they your favorites? There are so many good ones, but I’ll say it’s a tie between The Feeko Brothers, Bing Supernova, and Fastball Pitcher Bob Gutierrez. The Feekos come up with the silliest premises and Christian and Billy are such natural hams onstage, they make the premises fly. With Bing and Bob, Chip and Brian are really good joke writers, and when those jokes are filtered through the personas of, respectively, a hateful idiot and an oblivious idiot, they’re irresistible. The jokes, that is. Not Chip and Brian. I don’t care for them.

Do you have any bad experiences doing comedy that you can share? A particularly bad bombing or even an entire show gone haywire? We’ve had a number of shows, at a number of venues, where we’ve had videos that won’t play or other technical difficulties. That always sucks, but it comes with the territory. Probably the worst time I’ve had onstage was at the “Mental Illness” Bedtime Stories. One of my classmates from a PHIT writing workshop put up a sketch about an insane, vegan homeless man, and I played the homeless guy while Paul Triggiani played the little boy who tries to give him a cheeseburger. The homeless guy had a ton of lines, and I forgot all but a handful of them. Dom Moschitti sat beside the stage with my script, feeding me lines, but it was still a disaster. It was embarrassing, and I felt really bad about ruining this poor guy’s funny sketch. Our conversation after the show was him thanking Paul and me profusely for performing his sketch, and me apologizing profusely for fucking it up.

What do you think the Philly comedy scene needs to continue to grow? A permanent theater for PHIT will certainly go a long way, and a bit more recognition from the local press couldn’t hurt, either.
Other than that, I think we all just keep doing this, keep getting better, keep helping each other out, and more and more people will begin to take notice.

Do you have any personal goals for the future as you continue to perform comedy?  I’d like to do this as a job someday. I’m a simple man, and I don’t really care about being famous. All I ask for is boatloads of cash.