Upcoming Shows

  • April 16, 2014 7:30 pmMILLENNIUM QUEST: WARP JAWN @PHIT
  • April 16, 2014 9:00 pmTHIS IS YOUR CAPTAIN + SABOTAGE @ PHIT
  • April 16, 2014 10:00 pmTHIS IS YOUR CAPTAIN @ PHIT
  • April 17, 2014 7:30 pmTHE FLAT EARTH PRESENTS… @ PHIT
  • April 17, 2014 7:30 pmMILLENNIUM QUEST: WARP JAWN @ PHIT
  • April 17, 2014 9:00 pmThe Comedy Attic
  • April 17, 2014 10:30 pmTHE SIDESHOW @ PHIT
  • April 18, 2014 7:00 pmThe Comedy Works
  • April 18, 2014 7:30 pmTHE FLAT EARTH PRESENTS… @ PHIT
  • April 18, 2014 8:00 pmCrazy Cow Comedy
  • April 18, 2014 8:00 pmThe N Crowd
  • April 18, 2014 9:00 pmTHE FLAT EARTH PRESENTS… @ PHIT
  • April 18, 2014 10:30 pmATOMIC CINEMA VAULT @ PHIT
  • April 18, 2014 11:00 pmSKETCH UP OR SHUT UP @ PHIT
  • April 19, 2014 7:30 pmSarcasm Comedy Club
  • April 19, 2014 7:30 pmComedy Sportz Philadelphia
  • April 19, 2014 7:30 pmTHE FLAT EARTH PRESENTS… @ PHIT
  • April 19, 2014 8:00 pmCrazy Cow Comedy
  • April 19, 2014 8:00 pmBye Bye Liver: The Philadelphia Drinking Play
  • April 19, 2014 9:00 pmDR. SLEEPOVER @ PHIT
  • April 19, 2014 9:30 pmThe Comedy Works
  • April 19, 2014 9:30 pmSarcasm Comedy Club
  • April 19, 2014 10:00 pmComedy Sportz Philadelphia
  • April 19, 2014 10:30 pmBIG BABY + MAYOR KAREN @ PHIT
  • April 20, 2014 4:00 pmPHIT PRESENTS: MILLENNIUM QUEST: WARP JAWN
AEC v1.0.4

Polygon Comedy Tuesday Night — Q&A with Rick Horner

polygon comedyTonight is Polygon’s Holiday Spectacular at L’Etage (624 S 6th Street). Doors open at 7:30pm, show starts at 8pm. Tickets are $10 and can be purchased online or at the door. There will be ample parking and booze available. That’s right folks, booze. If that doesn’t motivate you to put on your scarf and gloves and come out to a comedy show, I don’t know what will!

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WitOut: Can you tell us about the formation and history of Polygon?

Rick Horner: Sure! I would say it is a collection of people more interested in comedy than their egos. We are promoting comedy acts with members that have a passion for comedy. A few years ago, Improv duo Rosen and Milkshake did a show and the audience loved it. The audience asked for cards, but they didn’t have any. They reached out to me and we got this idea to not only make cards, but start a website to promote comedy. We have been doing monthly comedy shows at L’Etage ever since.

WitOut: That is a unique way to start a….comedy group? If you could describe Polygon in one or two sentences, what would it be?

Horner: A passion driven machine of comedic talent; an optimus prime built out of sketch, improv and stand-up. It is a collective, like a bee-hive where all bees go but there is no Queen Bee.

WitOut: Can you tell us more about tonight’s show and the line-up?

Horner: Sure. The show will be hosted by Rosen and Milkshake. The line-up includes Cecily Chapman, Bill Parks and Demonikus Rex. So, improv, stand-up, improv, improv [laughs].

WitOut: Anything else you would like our audience to know about Polygon?

Horner: Look forward to 2014, because Polygon comedy has a lot of big plans on the horizon. We had a terrific year in 2013, and I feel lucky to work with people that are funny and talented. We have had most major Philly comedy groups perform at our shows such as The N Crowd, PHIT house teams, ComedySportz and Figment. However, if we haven’t had you, we would love to have you. Improv is like a team sport, you don’t have to be Babe Ruth, you just have to swing the bat.

WitOut: Is Polygon involved with any other regular events?

Horner: In addition to monthly shows at L’Etage, Polygon runs and improv incubator in West Philly at the Community Education Center on 35th and Lancaster. Whether you want to try it for the first time, get back into it or practice it more, they would love to have you. They simply ask for a small donation to pay for the room.

~~~~~

**Small chance of cancellation due to weather conditions. Please check polygoncomedy.com for updates.

Creator Spotlight: Polygon

By: Alison Zeidman

Back in July at Joe Gates’s apartment, I met with the producers of Polygon (Joe Gates, Marc Reber, Milkshake and Rick Horner via phone) to talk about how they got started, how they’ve blown up, and what’s next for their beloved monthly variety show.  During our chat, Joe offered me cherries he’d received in the mail from his mother, Rick was interrupted several times, Milkshake shared his views on circumcision, and I learned that  the men of Polygon have a…special…place in their hearts for my own improv team, Malone.
Alison Zeidman:Can you guys tell me how Polygon started?

Joe Gates: My group Rintersplit, which is Marc Reber, myself and Matt Akana, and Rick Horner with Claire Halberstadt as Suggestical, a little over a year ago had a show out at Milkboy in Bryn Mawr, and then we went out to a diner afterward and we were talking and it was like hey, it would be really great to start something up for people coming out of classes who really want to perform and really want to form a group, but aren’t finding spaces.

AZ: Is that still the primary goal, or mission, for Polygon? To be a place for new groups, or groups that struggle to get shows elsewhere?

Rick Horner: I might say our purpose is to encourage new comedic technique and encourage the performances of groups that are in the Philadelphia area at a pretty professional level, and focus on group dynamics as opposed to individual abilities, and really kind of provide a framework for the administrative operational side to encourage the integrity of the folks that are performing to perform in a professional way.

JG: We’ve actually been doing the Polygon show for over a year now; our birthday was back in April. We started out at another venue and ever since we’ve moved to L’etage we’ve just sort of upped the ante. I have more of a theater background [and at L’etage] we can just run it like a theater show.

AZ: Where were you guys before, and why did you move to L’etage?

JG: We were at Tabu before, a sports bar, and it was more of a…it was difficult to work with the sound of the bar behind us and it was a converted area that was sort of a stage but not quite, and we thought well we could get a place with an actual stage, and that’s where L’etage came in. We have a tech booth there, and we can do lighting, so instead of waving a phone madly at somebody to be like you have five minutes left, we can actually dim the lights and make it very professional. Originally we were only improv, but we saw a lot of things like storytelling really growing, and sketch, so we thought let’s include everybody.

AZ: Do you do most of the outreach to find those performers and groups, or do they come to you?

JG: Originally it was more of us doing the outreach, but we started to post on Facebook and just kind of put the word out there. So some of it’s kind of coming from the community now, now that we’ve kind of established ourselves a little bit.

AZ: So it’s new groups, developing teams, and also people trying to test things out a little bit.

JG: Yeah. I mean we’re not an open mic [laughs]. It’s different from an open mic in that you don’t get just three minutes and then somebody cuts you out. Again it’s more professional; we’re trying to make this like an actual show.

AZ: And where does the name come from?

RH: I think there was a strong push to make it Voltron because of the idea that Voltron is a bunch of pieces that get pushed together, but I thought that was just a little bit too straight on the money, so we kept discussing it until we came up with Polygon, which is just many different facets of something that’s all one thing.

AZ: Rick, you’re involved with so many different projects, your own groups, and F Harold, too. What do you feel sets Polygon apart, or what’s different about it for you as a producer?

RH: I think Polygon is just another piece of the puzzle. I would say that these things, whether it be Incubator or F Harold or Polygon, these are all levers that are designed to provide growth, whether it be with a mentor, or a venue. Whatever type of thing is needed. And I think for Polygon it’s really switching the lever of connecting folks and exchanging ideas and information with a bunch of people who are actively involved in the sketch community and the improv community and the stand-up community. So it’s a meeting point, and some of our shows have been really fluid like that, but it hasn’t always been that way. Thus far we have sought people out; it’s just now that folks are realizing that we’re more than just a monthly show, and they’re starting to seek us out.

AZ: And it seems like as much as it is for the community, the Polygon shows that I’ve been to usually have a lot of non-performers in the audience, so I’m curious about how you guys go about marketing your shows.

RH: Marketing is definitely a big focus for us. It’s fun to perform, and it’s more fun to perform for an audience, but given a choice between an audience of your peers, who are also doing it, and people who have never seen you before, it’s more fun and yet more challenging to perform for people when they have really no idea what to expect.

JG: I think the last Polygon we had maybe thirty people who were non-performers.

AZ: And why do you think that is? I work for the Greater Philadelphia Cultural Alliance and I know from communicating with Marc that you guys are advertising on Phillyfunguide. Has that been successful for you guys?  Or maybe it’s not just that, but do you know how these outside people are finding out about you?

Marc Reber: We had a bunch of people mention that they’d seen us online, and Phillyfunguide does come up high when you search on Google.

RH: I think we are working on market research and figuring out who’s coming to our show and who our target audience is, but we’re kind of locked in on what we feel like people might be willing to pay, and frankly I think that it’s less than what is being charged at other theaters. I feel better about having a well-attended show that costs less, as opposed to a medium-sized show that costs more.

MR: And I think the last three months, we’ve tried to branch out our marketing, and I think it has improved things because we’ve definitely seen more and more people, who aren’t just improvisers.

AZ: So besides Facebook and Phillyfunguide, if you were going to make a recommendation for somebody else trying to market their show, could you say more about what’s worked for you guys?

MR: I think the next step is seeing what actual advertisement does. The online stuff is very voluntary–like someone has to actually be looking to go to an event to happen to be on Phillyfunguide, as opposed to seeing an advertisement as they’re reading a newspaper or something.  But either one of those, the online or the advertising, is just a way to expand your audiences.

JG: I think opening up Polygon to more than just improv has helped the numbers, too. I spoke to a couple at the last show and they said we’re just here to have a good time. We have no idea what’s going to happen, we just like to get out of the house. And I was like, this is the perfect place for you.

MR: And I want to second that to the extent that opening up to all forms of comedy in Philadelphia has made it easier to find acts, and that leaves more time for things like marketing.

AZ: Do you think the venue has anything to do with it?

MR: Yeah, it’s just a really great venue. It’s hard to deny that. And the bar is right there, it’s a very nice bar, it’s just a pleasant…it’s a total experience. And that venue has always been very popular, so we’re very lucky to be in that space.

AZ: Can we get into the specifics of what it takes to put on your own show? What are some of the technical challenges of just producing the show the night of, or leading up to it?

JG: Getting a variety of acts to come in, that’s the main challenge I think.  And I think one thing that people talk about often on the Philly Comedy Network on Facebook is getting the shows to start on time, so curtain is always at 8:05 just as a courtesy, but performers have to be there ahead of time. So call time is at 7, and then doors open at 7:30, and you let people in and really I think the call time for the performers was the most difficult thing, but it was also the best thing for the show in terms of structure. Because they have time to warm up, sort of situate themselves, look at the stage instead of coming in maybe five minutes after one group has already started and seeing oh that stage isn’t going to work for us, or the lighting is wrong, or we need more chairs. So getting everybody there ahead of time, it just makes everything work kind of like clockwork. And definitely getting a space that you love and other people love coming to and love performing at, that’s pretty important.  And I guess just kind of organizing the groups is kind of fun too. You want something really powerful and awesome, you want something that people have never seen before but will really make them think about coming back, and you want new people too. We love new people, we love their lovely faces. And I think [your team] Malone is an excellent example of that; you guys are kind of really climbing the ladder.

RH: Yeah don’t forget to mention Malone, say something about how great they are.

JG: Malone is one of the most attractive…

Milkshake: They’re really good looking, is the thing. It’s hard to compete. No matter how good your team is, you have to compete with the fact that Malone is a very, very fuckable team.

MR: And there are more than five of them, so.

Milkshake: There’s more to choose. As if you needed to choose. Any one of them, male or female, they’re all..

AZ: One of our members is under 18…I’ll just point that out.

Milkshake: I don’t care! I don’t discriminate!

MR: Let’s say very kissable.

Milkshake: Very kissable!

JG: I would hold hands with any member of that team, on a date, in a meadow.

AZ: Let’s talk about what upcoming things you guys have planned.

JG: Well I’m really looking forward to the October show. October is one of my favorite months. I grew up with ghost stories and things like that, so I want to get Rintersplit to perform in October because we’re kind of more ghost-oriented, and there are a couple of storytellers I would really like to get in and tell some gnarly ghost story stuff.

AZ: Do you usually try to do themed shows?

JG: I’m getting more into it. Like our last show we had at Tabu, it was all ladies’ night, lady-oriented, and it was Mani Pedi’s first show and they are fantastic.

MR:  But that’s not really our point, our point is more just to have a show that everyone can enjoy, that performers can enjoy, and an opportunity for us to perform, because we are among the independent comedy community. So if the theme works out great, and if there are opportunities like October and Halloween, then it’s like hey, why not go for it.

AZ: Can you guys talk a little bit more about some of the new components of the show, like Philly Secrets?

MR: Well Milkshake is the director and he had the idea of doing something along the lines of Post ecret, where the idea is that people send in their secrets and essentially they’re shared but still secret because they’re anonymous. And to the extent that these are very moving pieces, they provide a lot of emotion and a lot of background, things that are all in improv.

Milkshake: I think just one nice thing about the Secrets show is that the source material itself, the secrets that we use, particularly when they come from PostSecret it’s a very visual experience, it’s a quick snapshot of somebody’s situation that they’re having difficulty dealing with. So they create this anonymous art, and they send it to Frank Warren in Baltimore and they get it off their chest and they share it with other people.  Just those in and of themselves are so interesting that to do theatrical work that’s inspired by that, wow, you’ve got a great diving board into a beautiful swimming pool to kick off from.

AZ: Are you using the secrets from PostSecret, or are you soliciting your own?

Milkshake: We’re soliciting secrets from Philadelphia, however the method by which I had chosen to do that was insufficient and I wasn’t getting the responses that I need. We’re still working on acquiring more, but yeah, the first two performances were entirely reliant on secrets from the PostSecret website. And I have no beef with that, but I want to do the show about secrets of people from Philadelphia. And the scenes that we see can be usually funny but not necessarily, especially with somebody like Kristen Schier on the team, who loves any opportunity to do improvised dramatic work. And a nice thing that was pointed out to me is when you take a secret that’s difficult to deal with, like one that’s about abuse or addiction, that usually won’t be a funny scene, but the scene after that, as long as it’s remotely funny, the audience is so ready to laugh that the response is usually pretty explosive.

AZ: How was it determined that Phily Secrets would be a good feature for Polygon?

JG: It’s so fresh, and so new, and it’s a very rich format and it’s laden with dramatic scenes.

Mlikshake: And there’s a lot of sexual ones.  There are a lot about penises.

JG: [whispering] This is going in the paper!

Mlikshake: Well, she’ll snip and cut. Edit.

AZ: I don’t want to snip and cut any penises…

Milkshake: Don’t, no! Don’t do that, it’s not necessary. It has no medical benefit. But I was going to say, I would like to do an entire Secrets performance where we’re free to  choose the sexual material if we want to, but not have it foisted upon us. And that’s kind of my job as host and curator, to choose the secrets that we’ll work from. But then I think to myself, it would also be cool to have a show where every scene is of a sexual nature.

JG: I’m going to go back and try to answer the question that you asked. I think another one of the reasons that we picked Secrets as kind of a Polygon mainstay is because there’s so many different things that come out of it that we don’t really see in improv, and that’s kind of what we’re all about, the new stuff, the fresh stuff.

AZ: And it sounds like Secrets also has this level of built-in theatricality and drama, and sort of that elevated level of theater that you’re trying to present with Polygon.

JG: When I was a student of dramaturgy, three of the questions that we always asked ourselves of a play where why this play, why now, and why this audience?

Milkshake: We did go over those questions. Did I answer them well?

RH: You answered them. I don’t know how well.

Milkshake: Were you dissatisfied, Rick, with my answers? Do you remember dissatisfaction?

RH: Well you seemed dodgy and unconfident, that’s all.

Milkshake: OK, that sounds like me.

JG: You mentioned at many times during your presentation that people are fascinated by real people’s lives.  But also these people are opening themselves up to us. And kind of trusting us with a secret.

Milkshake: And in turn I feel like the work the cast is doing by improvising a scene is kind of metaphorically putting their arm around that person and embracing them. We’re exploring it and experiencing it with them, sort of, to the best of our ability, through theatre.

AZ: So just to wrap up, Polygon is once a month at L’etage, and the best way to book a show is to…

JG: Contact Joe or Mark.

AZ: And if you have a secret that you want to see explored in Philly Secrets?

Milkshake: The best way is to go to formspring.me/phillysecrets.

MR: And Polygon is once a month, at L’etage, but we’ll also be part of Fringe again this year, and I’ll let Rick talk a little bit about that.

RH: We’re finalizing the venue, but I expect that this year there’s going to be some good surprises, which I’m not certain I’m ready to divulge quite yet. I might describe the Fringe this year as more opportunities for people to get involved. And there’s likely to be some sort of a process specifically to submit to the Fringe shows which will be coming out pretty soon, so people will have slightly more control over their involvement.

JG: So look for updates online, and if you have something new and beautiful and need a space to do it, we’d love to check you out.

The next Polygon show is Tuesday, August 14th at 8 pm at L’etage (624 S. 6th Street). Tickets are $5.

The Witout Podcast, Episode 11: Rick Horner

Aaron talks to Rick Horner about his beginnings in comedy, the history of improv in Philly, and the upcoming F. Harold Comedy Festival. Listen below and and subscribe on iTunes.

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The 2012 F. Harold Comedy Festival begins next Tuesday, April 24th at Studio 5 at the Walnut St. Theater and runs through Sunday, April 29. Tickets can be purchased for the festival online.

Fringe Show Preview: Polygon

Polygon Comedy is a Philadelphia community arts organization devoted to building a thriving and sustainable comedy scene for area comedians. Polygon Comedy is working to raise awareness and understanding of comedy through publicity at regular performance opportunities, and outreach at quality venues.

We caught up with Polygon’s Rick Horner to ask him some questions about his ongoing run of Philly Fringe Festival shows.

WITOUT: Polygon is a new establishment in Philly comedy – tell us how you got started and the idea behind it.

RICK HORNER: The actual idea was born in Rosen & Milkshake – they wanted to be able to direct people, who came to see them in a show, to a clearinghouse website that would have info about all of the other improv groups in town, so when you look for Rosen & Milkshake you find out about Rookie Card, or Gross Butler for example. I just thought that since my overall goal/hope is to grow and nurture all of the talent in Philly, that having a little more organization around people, venues (to make them happy to embrace comedy), and having some idea sharing about what is and isn’t working to continue building the sketch/stand-up/improv community was worthwhile. Both PHIT and Comedysportz Philly are great at doing what they do for improv, this is something a little different – to spread the word around Philly about this ever-expanding group of folks, looking for good places to play. Polygon is geared for both audiences and performers alike. What is most important is that everyone gets a little more involved.

WO: How have the Polygon Fringe shows gone so far? Tell us about some of the groups you have had.

RH: There are so many shows to see during the Fringe! The focus is improv for the Fringe – and the shows have all been really great! A real eclectic mix of performers and crowds, and tons of people I have never met before – which is great for comedy in general. Let’s see – so far Polygon has hosted Angry People Building Things, Suggestical, One Night Standy, Vorlauf, Rosen & Milkshake, WhipSuit, The Ones Your Mom Warned You About, The Hendersons, Cubed, Neilsen, Rintersplit, and Hans Gruber. Really fun, energetic sets. Everyone who is doing improv, sketch and/or stand-up comedy should help generate promotion, and support for the comedy community.

WO: How has O’Neals been as a venue?

RH: They are great to us – great space, secluded on the third floor, it is a decent size room, and we have had a pretty full room (of 40!) It has been a real pleasure organizing this latest Polygon vemture. Up there and the audience has full access to both food and drink. Best bar in Philly, bar none. Great food, great people.

WhipSuit has been doing a monthly show on the third Friday each month for over four years now in the same space and graciously allowed Polygon use only during this Fringe.

WO: Tell us about some of the groups you have coming up.

RH: Friday, Sep 16th, 9pm: Beirdo, MEDIC! Grimmachio take the stage and on Saturday, Sep 17th at 9pm you can catch Gross Butler, Rookie Card, and Iron Lung. Terrific! If you come see a Polygon show for full price, you get a red ticket you can show at all future shows giving you admission for only $5!

WO: How do you see the Philly Improv Community growing? Would you describe it as a boom time for comedy in Philly?

RH: I think since the stand-up, improv and sketch communities started working more together – similarly to how other cities work together – we are starting to see some artistic success. Polygon should serve as a guide to let the public know what’s going on, and who is who helps get the community together.

Polygon aims to get most of Philly’s groups together and has been a great success so far, with a lot of the groups becoming closer and working together more. Also, having festivals really drives people out and has really helped. Each festival – Philadelphia Improv Festival, Philly SketchFest, Duofest and F. Harold – has showcased the best groups and talent in their scope, while exposing the community, and our audiences to different forms, styles and actors from all around the world.

There has never been a more exciting time for comedy fans as some of the funniest comedians are currently performing live all across Philadelphia. New comedy superstars along with comedy legends are currently available to see all around the area, so get tickets while they are still available. Spend your time laughing the night away with some of the funniest people around.

Polygon has two Fringe Festival shows remaining, Friday September 16th and Saturday September 17th at 9pm at O’Neal’s. Tickets can be purchased online.

INTERVIEW: F. Harold Festival organiser RICK HORNER

This week, 50 Philadelphia acts will take the stage at the Walnut Street Theater to perform in the F. Harold Comedy Festival. Featuring stand-up, sketch, and improv the F. Harold Festival is a mixture of some of the best comedy Philly has to offer. The performances start at 6pm each night, Tuesday through Sunday and acts have been given 30 minute blocks to show audiences the wide range of comedy available right here in the city. Tickets to the show are available at the door or online at $10 for one night of shows, or a full festival pass that gives you access to all six nights of comedy for $25. We caught up with festival organizer Rick Horner to ask him some questions about F. Harold.

How did the festival come together?
The festival is a way to let Philadelphia and everyone in it know how lucky I feel to be involved in it and able to be around such wonderful, hilarious, damaged people. I feel like it is kind of a theater of the heart. By focusing on the entire spectrum of culture, the hope is to continue to find and build a Philadelphia audience for comedy, a devoted crowd of regular attendee and fans. Huge thanks to Emily Davis, Cara Schmidt, Mark Dames, Jess Carpenter and Chris Calletta — who are amazing and invaluable to me and this community. Hug them!

How is F. Harold going to be different from other festivals in Philly?
F. Harold is going to be a little different from the other festivals in Philly because I tried to blend the parts of comedy that seem to be finding so much overlap in the city already, thanks to Philly Improv Theater and The Philadelphia Joke Initiative. They have fostered a true sense of cohesiveness between stand-up, sketch and improv and the goal of the F. Harold is to allow all the talent Philly has to offer the opportunity to both demonstrate and exhibit each other, and showcase new ideas and people. Also, we will have polar bears with waffles. Haha. That is wacky.

What are some of your favorite comedy festivals and have you incorporated any ideas from them in planning F. Harold?
There are a ton of good ideas that I have seen at other festivals and the main ones I am going to attempt to incorporate are keeping shows tight time-wise, making the performers happy (who in turn make the crowds happy), and do my best to keep the enthusiasm high for these deserving folks.

There’s a good mix of improv, sketch, and stand-up in the festival – how did this come into play when making the nightly schedules? Did you try to mix things up?
There IS a good mix of improv, sketch, and stand-up in the festival. I agree. I love that all of these important pieces are coming together. It was fun to try and honor time requests and feature all the talent in great places throughout the night. I truly feel like there is NO night or show that is not going to be great! So excited!!

What are your favorite things about comedy in a festival format?
Well, when you talk about a well-done festival — like , for example, Upright Citizens Brigade’s Del Close Marathon — it is a wonderful chance to see great improv. It features hundreds of groups from cities all around the USA performing around the clock for three days! So I guess for me, it is all about featuring all of the talent Philly has to show off. We are so awesome and incredible and we should be thought of as a comedy city. I hope that this festival is making an important contribution to that notion.

Are there any performances or appearances that you are especially looking forward to?
Well, I am excited for all of them really. I mean it. I was so ecstatic at every one of these submissions, I want to see them all! Improvisers belong to a tradition that has already spread far from its young Chicago roots.

There’s a lot of comedy in Philly right now (enough to pack a weeks worth of festival shows!) Where do you see the scene heading? What’s in store for Philly comedy in the next few years?
It is so amazing that so many great companies are producing such great comedy — PHIT, ComedySportz, PHIF, PJI, The N Crowd — I could go on and on. The exponential growth is absolutely incredible and I feel infinite power over all matter and energy cannot be far behind. But will I use that power for good? Or does absolute power corrupt absolutely?