Upcoming Shows

  • April 25, 2014 7:00 pmThe Comedy Works
  • April 25, 2014 7:30 pmPHIT PRESENTS: MILLENNIUM QUEST: WARP JAWN
  • April 25, 2014 8:00 pmThe N Crowd
  • April 25, 2014 8:00 pmCrazy Cow Comedy
  • April 25, 2014 9:00 pmCHEAT CODE W. SPECIAL GUESTS @ PHIT
  • April 25, 2014 10:30 pmSTORY UP! AFTER DARK @ PHIT
  • April 25, 2014 11:00 pmIRON SKETCH @ PHIT
  • April 26, 2014 7:30 pmPHIT PRESENTS: MILLENNIUM QUEST: WARP JAWN
  • April 26, 2014 7:30 pmSarcasm Comedy Club
  • April 26, 2014 7:30 pmComedy Sportz Philadelphia
  • April 26, 2014 8:00 pmBye Bye Liver: The Philadelphia Drinking Play
  • April 26, 2014 8:00 pmCrazy Cow Comedy
  • April 26, 2014 9:00 pmMEN WITH FACES + BIG BABY @ PHIT
  • April 26, 2014 9:30 pmSarcasm Comedy Club
  • April 26, 2014 9:30 pmThe Comedy Works
  • April 26, 2014 10:00 pmComedy Sportz Philadelphia
  • April 26, 2014 10:30 pmTHE FUTURE + MAYOR KAREN @ PHIT
  • April 26, 2014 11:00 pmIRON SKETCH @ PHIT
  • April 27, 2014 4:00 pmPHIT PRESENTS: MILLENNIUM QUEST: WARP JAWN
  • April 27, 2014 7:00 pmTHE BUTTERED NIBLETS + THE DEAN’S LIST @ PHIT
  • April 27, 2014 8:30 pmGOON + THE SHAM @ PHIT
  • April 30, 2014 7:30 pmGIRL HAROLD + THIS IS YOUR CAPTAIN @ PHIT
  • April 30, 2014 9:00 pmSABOTAGE + OUTSIDE VOICES @ PHIT
  • April 30, 2014 10:00 pmSABOTAGE @ PHIT
  • May 1, 2014 9:00 pmThe Comedy Attic
AEC v1.0.4

Top 5 of 2011: Mark Leopold’s Favorite Improv Moments

Luke Field in Adrift.

During the Philadelphia Improv Festival this year, Adrift was featured. It was pretty star studded and I remember sitting there thinking what an amazing cast I was seeing. Tara DeFrancisco, Jill Bernard, Brian McConnell, plus some of Philly’s most experienced improvisers. Then there was Luke Field. I had only seen Luke perform once before and I knew he was good, but in a boat that full of talent I was afraid he might not be up to the challenge. And for a long time, it looked like it might turn out that way. Luke sat perfectly quiet for the whole first “day” of the show, not saying a thing. The second “day” started and things were moving along at a gentle pace, when the conversation in the boat quieted and reached a natural lull. Then Luke softly spoke up with an amazing offer, “I’d just like to reiterate my offer to hear anyone’s confession if they would like to.” It made the show for me. It was just a great, simple, strong move. Good job Luke.

Kristin Finger’s in The Real Housewives of Philadelphia.

The Real Housewives also performed during PHIF. It was a great show with many awesome moments, but one stood out to me above the rest as just a fantastic moment where a performer understands the audience completely. Throughout the show, various characters would step forward and do “confessional” scenes to the audience. Kristin’s character was very masculine. I’m not sure if she was a man, used to be a man, wanted to be a man or what, but it was pretty fantastic to just get to watch her duding it around stage. At one point, she stepped forward into the confessional, sat down uncertainly on the very edge of the chair and just tucked her chin back and said, “Uh…” in the character’s deep voice. The audience immediately exploded into a roar of laughter. But that isn’t what impressed me about that moment. What impressed me was what she did next. She read the audience perfectly and simply shrugged and walked offstage, which elicited yet another roar of laughter. Perfect timing, perfect offer, perfect delivery. Great stuff.

Billy Thompson’s cartwheel.

ZaoGao plays with a lot of intensity and I’m always impressed with the effortlessness of their constant support for one another. This was never more apparent than in a show during their Fringe run. Billy Thompson had established the character of an impertinent and lazy king who had other people do things for him. As the show progressed, two other characters challenged one another to a cartwheel race. No sooner had they finished their race than Billy ran forward and commanded his minions, “I want to be in the cartwheel race!” The whole team then proceeded to cartwheel him across the stage and it was wonderful. Great job ZaoGao, great job Billy.

Kristin Schier’s clowning at Sideshow.

At Sideshow this year, we all we treated with Kristin Schier’s clowning act. I loved it. I had never seen a clown before then. Not at the circus. Not at children’s party. Not at a party for clowns where you just invite clowns because that’s going to automatically be a pretty great party. So I didn’t know what to expect. Clowns have a reputation for being either terrible or terrifying. Kristin was neither. Her clown was this wonderful child-like creature who interacted so openly with the audience it was intoxicating. Everyone in the room was on the edge of their seats the entire time. She went through a wide range of emotions during her set, but one moment in particular stood out to me. Along one side of the stage the wall was covered in mirrors with a curtain obscuring them. Kristin’s clown, exploring the space, peeked behind them and discovered that there were mirrors there and gradually pulled back the curtains with growing delight. When the curtains were finally drawn, she caught sight of herself and reacted with surprise and confusion, turning to the audience as if to say, “Is that really me?” She then turned back to the mirror and simply looked at herself, becoming sadder and sadder…as the audience came on that emotional trip with her. Just amazing patience and control and willingness to go where that moment took her. Awesome job Kristin.

Dangerous Fools.

If you watch commercials you’ve probably seen Tom Fowler. He’s pretty great. If you’ve come to Comedysportz you may have seen Mary Carpenter. She’s pretty terrific too. Together they performed this year as Dangerous Fools. I caught their show this year when they performed at the Shubin and it was basically a seminar on patient scene work. One moment which really stood out to me was a scene where they were playing a husband and wife, trapped in a crazy female neighbor’s bathroom after their attempt to invite her into their newly open marriage had gone wrong. She had turned out to be way too into it and things had gotten intense and surprisingly racist. They had tried the open marriage because Mary’s character couldn’t bear the thought of touching him. So while they’re trapped in the bathroom, furiously arguing with each other in frantic whispers, Tom points out that it was all her idea to begin with, to which she respond, “I don’t want to touch you, but I can’t bear the thought of anyone else touching you either!” After that offer, Tom simply looked while Mary clapped a hand to her mouth. Then they stayed like that for about FORTY FIVE SECONDS. It was amazing. It was just insane to watch two performers have the balls to just stay there, silent, and allow their characters to react emotionally to an offer. So great. Then, after the tension had built to an unbearable limit, Tom simply said, “That is the sweetest thing you have said in a long time.” Great stuff Mary and Tom!