This week with bonus footage!
If you are a Philadelphia comedy performer that produces a podcast, web series, sketch video, humor column, or any other online content let us know by emailing us at contact@witout.net so we can share it!
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This week with bonus footage! If you are a Philadelphia comedy performer that produces a podcast, web series, sketch video, humor column, or any other online content let us know by emailing us at contact@witout.net so we can share it! Sketch comedy writers interested in joining Philly Improv Theater‘s third Sketch House Team as a part of the writing staff can submit packets from now until the deadline of Monday, May 27 to sketchsubmissions@phillyimprovtheater.com. To be considered for a spot writers should submit a packet consisting of:
More on the team from PHIT’s website:
More information is available on PHIT’s website. ShowsThe Bat – 7:00pm at Philly Improv Theater Laff Therapy Thursdays – 8:00pm at The Laff House It’s My Party: The Women in Comedy Project – 8:00pm at Plays & Players Theater Mo Mandel – 8:00pm at Helium Comedy Club Comedian Deconstruction – 8:00pm at L’etage Tanisha & Becky – 8:30pm at Philly Improv Theater A Few Answers Short – 10:00pm at Philly Improv Theater Open MicsCenter City Comedy – 9:00pm (signups at 8:30) at The Raven Lounge, 1718 Sansom St., Philadelphia Comedy Under the Disco Ball – 8:00pm (signups at 7:30) at L2, 2201 South St., Philadelphia If you run a Philadelphia-area comedy show or open mic let us know so we can share it on our calendar and in our daily show round-ups by sending us the information from our submit a show page to contact@witout.net. Philadelphia improvised theater company Figment Theater will be holding auditions for their production of Slasher: An Improvised Homage to Horror Films of the 70s & 80s, running October 17-27, 2013. Auditions will be held by appointment only on June 1-2 and may be reserved by emailing contact information, availability and headshot/resume (if available) to: auditions@figmenttheater.org. More about Slasher from Figment’s website:
For more information on Figment Theater and their upcoming shows and events visit figmenttheater.org. Enjoy this “lost sketch” from Camp Woods. If you are a Philadelphia comedy performer that produces a podcast, web series, sketch video, humor column, or any other online content let us know by emailing us at contact@witout.net so we can share it! ShowsIt’s My Party: The Women & Comedy Project – 6:30pm at Plays and Players Theatre PHIT Sweeps Weeks – 7:00pm at Philly Improv Theater Tell Me a Story – 7:30pm at Shot Tower Coffee Mo Mandel – 8:00pm at Helium Comedy Club Conklin’s Comedy Night – 8:00pm at Parx Casino Head of the Class Comedy Showcase - 8:00pm at Silk City Diner The Grimacchio Variety Hour – 8:30pm at Philly Improv Theater Open MicsRogues Gallery – 7:30pm (signups at 7:00) at Rogues Gallery, 11 S. 21st St., Philadelphia Northeast Comedy Cabaret - 8:00pm (signups at 7:30) at The Comedy Caberet, 11580 Roosevelt Blvd., Philadelphia High Note Humor - 8:00pm (signups at 7:30) at The Taproom Grill, 427 W Crystal Lake Ave., Haddonfield, NJ Comedy is Liberty – 7:30pm (signups at 7:30) at Liberties Bar & Grill, 705 N. 2nd St., Philadelphia If you run a Philadelphia-area comedy show or open mic let us know so we can share it on our calendar and in our daily show round-ups by sending us the information from our submit a show page to contact@witout.net. This Saturday, stand-up comic Rachel Fogletto brings Comedy-Gasm back to The Irish Pol for another round of comedy from “the city’s edgiest and unashamed performers and comedians.” Read on for more about Rachel and the show. WitOut: How long have you been doing stand-up? What got you started? Rachel Fogletto: I’ve been doing stand-up for about 7-8 months. I had been doing other forms of open mics like spoken word and storytelling for some time, and I had recently been branching out to other types of performance and was in a Fringe show. I had numerous people tell me that I made them laugh when I would tell sex stories that were often uncomfortable and emotional situations. One woman I worked with in a show said, “You remind me of a comedian.” I thought that was funny for some reason, and I had always wanted to do stand-up but never really felt that I had the balls. So I finally tried it and realized that I had it all wrong. It took balls to get up there, yes, but I had actually had to grow a dick to stay up there, and keep coming back. Stand-up was the most challenging form of performance I had ever done, and I feel like anything you do that you love should challenge you. Once I started I knew I couldn’t stop. WO: When and how did you decide to start Comedy-gasm? RF: I started to notice that as with anything else in life, there seemed to be a “majority” voice even within comedy, which always seemed to me, to typically be an art form of struggle. There are not a lot of women, most obviously. But I also wanted to see more comedy that was pushing boundaries from other perspectives. Not to get all affirmative-action, but I wanted to see more comedy from females, or people of color or from a queer perspective or even from a place that was not typical or already “acceptable edgy” comedy, like porn or jerk-off jokes. Not that I don’t love a good dick joke. I love a good dick…………joke. WO: Can you explain the theme for the show? What do you mean when you describe it as comedy “by the unashamed, for the unashamed”? RF: Following up on my last answer, I noticed there were actually a good amount of comedians that had a generally rogue sense of humor, or who were coming from a totally different walk of life that weren’t as present at the more crowded open mics. Different perspectives allow for different voices, different authenticity and ultimately, jokes no one has heard before. I felt myself gravitating toward comics who tended to make themselves vulnerable onstage even if their jokes were risky. I feel like the best art comes from the ability to be unapologetic even if it riles people. And of course, it has to be good. It has to be especially good when you’re ruffling feathers. WO: How do you choose the line-up for these shows? Are you looking for a specific type of comic, or a comic with a certain type of material? RF: Thank you for asking! Everyone’s biggest question is “Do all the jokes have to be about sex” Um, definitely not. The format thus far has been one “non-intentional” comedian, which is someone outside of stand-up performance but still is 90% comedic. Then follows 4 stand-up comedians. For the show’s debut, this created exactly what I wanted, which was a cross audience from different scenes like The Erotic Literary Salon, so the performers were able to actually tell jokes to a fresh audience. I also arrange the lineup according to joke style and tempo, rather than experience to create a cohesive “set of sets” I guess you could call it. It could be in my head, but it seemed to work well the last time. Everyone had a blast. Because I personally tell a lot of sex jokes, I have a way of looking at the world through sex. I think that art and comedy and the relationship between the performer and the audience is a power struggle, like sex. We go up…we try to make people laugh. We do this in different ways. Sometimes we get emotional, sometimes we try to relate, sometimes we just try to entertain. Everyone is turned on by different things. But after a while, crowds, like people, get used to the same type of “foreplay” …they are desensitized to things that used to make them aroused, surprised, offended….and most importantly, impressed. I think that when you can craft a joke, especially a risky joke, in an unconventional way and make people piss themselves laughing, it’s like you gave them an orgasm. Ta-da! WO: If you had to narrow it down to one thing, what would you say is the funniest thing about sex? RF: I feel like I’m supposed to make a joke here. Sex is always funny…if you can’t laugh at yourself as a sexual being, you’re doing it wrong. I work out a lot of my sex life on stage, because I owe it to people to talk about something that means a lot to me. The funniest thing? Colored condoms.
The next ‘Comedy-Gasm’ is this Saturday, May 18th at The Irish Pol (45 S. 3rd Street). Admission is $5. ShowsSecond Stories presents: Gifts - 7:00pm at The Dive The Polygon Comedy Variety Show – 8:00pm at L’etage Bo Burnham – 8:00pm at The Keswick Theatre Four Headliners for a Cause – 8:00pm at Helium Comedy Club PHIT House Team Harold Night – 8:30pm at Philly Improv Theater PHIT Improv Jam – 9:30pm at Philly Improv Theater Open MicsThe Headhouse Cafe – 8:00pm (signups at 7:30) at The Headhouse Cafe, 122 Lombard St., Philadelphia No.2 (#2)(Number 2) – 8:00pm (signups at 7:30) at St. Stephen’s Green, 1701 Green St., Philadelphia LawnBoys Comedy – 8:00pm (signups at 7:00) at Puck, 1 Printers Alley Doylestown, PA The M Room – 9:00pm (signups at 8:30) at The M Room, 15 W. Girard Ave., Philadelphia If you run a Philadelphia-area comedy show or open mic let us know so we can share it on our calendar and in our daily show round-ups by sending us the information from our submit a show page to contact@witout.net. ShowsSouth Philly Comedy Carnival – 8:00pm at Connie’s Ric Rac, 1132 S. 9th St. Philadelphia Open MicsLaughs on Fairmount - 8:00pm (signups at 7:15) at The Urban Saloon, 2120 Fairmount Ave., Philadelphia The Irish Times - 7:30pm (signups at 7:00) at The Irish Times, 629 S 2nd St., Philadelphia Joe Murdock Has Created an Event - 9:00pm (signups at 8:30) at Connie’s Ric Rac, 1132 S. 9th St., Philadelphia RP McMurphy’s - 8:00pm (signups at 7:45) at RP McMurphy’s, 2623 MacDade Blvd., Ridley,PA If you run a Philadelphia-area comedy show or open mic let us know so we can share it on our calendar and in our daily show round-ups by sending us the information from our submit a show page to contact@witout.net. Throughout April, High Note Humor (based in Haddonfield, NJ) ran the South Jersey Stand-up Championship at The Taproom Grill. On April 26th, Paul Welsh took home the championship belt. Here’s Paul with more about his stand-up history, writing process, and upcoming shows. WitOut: How did you first get into stand-up? Paul Welsh: I was always the one to crack a joke or a funny line but about ten years ago my wife signed me up for a stand-up comedy class at Mercer County Community College as a Christmas present. She said “You think you are so funny…now go and learn how to do it properly.” I got the bug and a group of us from the class continued to work together, writing and performing wherever we could. WO: What’s your joke writing process like? PW: I was born in England and I tend to notice little differences between England and America. I then use these ideas to develop material. The process isn’t always the same, sometimes I get an idea and write the joke within minutes…other times the idea languishes in a notebook for months or even years. WO: How did you prepare for the South Jersey Stand-up Championships? Did you write a totally new set specifically for the contest, or was it all tried-and-true material? PW: To be honest I had forgotten about the semi-final until the afternoon of the show…I was cleaning out my garage when I got a reminder email from the High Note guys so I scrambled to put my set together. So for my semi-final I used all tried and tested material…but I was a bit better prepared for the final and wanted to do a different set so I threw in some new stuff…it seemed to work. WO: Winning this contest probably felt pretty good, but since you’re a comic, I’m assuming you’ve had plenty of onstage experiences that felt pretty miserable, too. Describe your worst onstage moment, and how/what you learned from it. PW: I think the most difficult one was when I was starting out and was asked to host a show at a hotel in North Jersey. They hadn’t promoted it very well so nobody showed up…I mean nobody! At show time the room was completely empty. So the show’s promoter was out in the hotel lobby pleading with people to come in…no cover…no drink minimum. He persuaded two couples to come in and so I opened the show to those four people. I learned that whatever the circumstances to perform my set with the same enthusiasm…it was my job to keep those four people entertained so they wouldn’t leave. They eventually did leave but not until after my set!! WO: What’s next for Paul Welsh? Any upcoming shows or other projects in the works? PW: I am in the process of refreshing my material so I am in writing mode right now. |
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