Andrea O’Driscoll (AKA Mom): Oh, here we go. We’re getting interviewed. I think I need a smoke first. So, you’ll have to wait.
Steve O’Driscoll (AKA Dad): Do I need to leave the room then?
SO: I thought we were doing it separately. I object. I want to do it separately.
AO: I’ll be right back. I have to get stoked for this.
CO: Do you think I’m funny?
AO: It depends on what day it is.
SO: Monday, Wednesdays, and Saturdays. Not so much on Tuesdays and Thursdays.
CO: All right… That went well. Let’s move on.
AO: It depends on whether I’m being your mom, or going to see you in something.
CO: Was there a moment when I was growing up that you thought, “Hey, this kid might one day think she’s a comedian?”
AO: Every night at dinner from the time you were about… Oh, I guess a year… you would wait, everyone would sit at the dinner table, and you would stand up in your high chair and say, “It’s showtime.”
CO: Do you have anything else to add, dad?
SO: Always. Right from the beginning.
AO: Before you were even here, it was a joke. You were one of God’s little jokes. Should we get into that? Do you want to tell that story?
SO: No, don’t.
CO: Explain the Harold.
AO: Harold who? No. I know there’s beats. What do you know about it?
AO: The Harold.
SO: The Harold? I don’t even know what we’re talking about.
AO: The type of improv she does. There’s three sections and so many beats to each section, but I can’t figure it out from watching it. I need a drum to find the beats.
SO: Can I say anything about the other?
AO: Organic’s too noisy.
SO: I like it better than the other.
CO: How do you feel about improv?
AO: I like it. Some’s funnier than others. We can go back into that again…
SO: I think it’s really hard when you have 5 or 6 people on stage not to end up with one or two people who dominate… to be honest.
AO: I still don’t believe that you don’t use stuff that you did in rehearsal. If it’s failing and flailing and you have good stuff that you did in rehearsal. Why not use it?
CO: We don’t.
AO: Well, then I guess I just don’t get the rehearsals. But yeah, I like improv, I come see you all the time. Some nights are funnier than others, just like some days you’re funnier than others. I could have said it depends what side of the bed you woke up on.
CO: Do you have a favorite Davenger moment?
SO: I think there’s been a lot of funny moments. The only thing I can think of pointing to is always your first improv show is the best, because you don’t really know what to expect and it’s better than what you expect it to be. That’s the only way I can put it.
AO: The show where Hilary played Hans and you were in relaxation therapy, but you were afraid of rubber bands and they kept stressing you out with them; that was the therapy. Then you were doing bumper cars and Kevin made you kill a child, and the show ended with Hilary saying, “You’ve been Hans-ed.”
CO: When you brag about me to your friends, what’s the first thing you say? When answering, please remember this is a comedy article that all my funny friends will see (so maybe say something about how hilarious I am).
SO: I don’t know, I just say you’ve been performing on stage since as long as I can remember. What was she 7 or 8? And we’ve always enjoyed…
AO: I was always stunned when she started doing improv because I was always thought she was a drama queen.
SO: Oh no, I think she should do stand up comedy. That’s the natural extension.
AO: I’d always seen her in dramas and the first time I saw her in a role when she was funny, like overtly physically funny, all the physicality, expressions, timing. I was blown away by it. And the role in that play was dumb, so you took it to the absurd, and it was really funny.
CO: What do you think about me performing comedy?
AO: I’d like to see you push it more. You still look to me like you hesitate, and you allow other people to continue when I know there’s something hidden behind your little smile that’s probably funny.
SO: Well, I’ve always liked some of the more physical humor, like Dick Van Dyke, or people that do physical, Jack Tripper, people that do physical comedy. And I remember at the last show I went to, that was the remark I made to Dan the way, out of the blue, he does this contortion with his body. I think that the expressions and the actions are as important as what comes out of your mouth sometimes.
CO: Do you think I should try stand up?
SO: Yes. Absolutely. What are you waiting for?
AO: I think you should because I think you’re a good writer, and I think if you put your mind to it… but sometimes you’re lazy.
SO: A lot of people that do stand up comedy are afraid of the audience. A lot of them. I remember distinctly Johnny Carson was afraid of crowds.
AO: Oh boy, Dad’s gonna give you a history lesson. I think it’s hard for females. A guy can get away with any raw comment, but when a female does it…
CO: What do you think my opening joke should be?
AO: One time at band camp… No.vDon’t say the lawn mower joke, Steve.
SO: No, you don’t do jokes. You do more like something that happened to you on the way to the place… or…
AO: Let me tell you about my mother…? That’s always a good place to start. Here’s to the mothers, it’s their fault.
SO: You could open it with the two girls in diapers.
AO: No idea what you’re talking about.
SO: Dogs in diapers it’s a funny image.
AO: Oh, the girls.
SO: To me part of doing stand up is relating stories about people that you know.
AO: Well, God, you better know funny people than. She’s up shit’s creek then.
CO: Who’s your favorite comedian? Other than me guys, geeze, you’re making me blush!
SO: Uh, so I’m just gonna say you to get it out of the way then. Current comedian? Probably, Lewis Black. I like Seinfeld.
AO: I pick Robin Williams.
AO: Yeah, I like Robin Williams. Tina Fey and Amy Poehler.
SO: Oh yeah, Tina Fey.
CO: Anything else you want to add?
AO: I think you should push it. I think you should pursue it.
SO: You could create a character like um… what’s her name did… SNL… Gilda Radner.
AO: Oh, I know who I love, Gilda Radner’s husband, Gene Wilder.
SO: When you can develop something where you get into character, you can really go with it, rather than standing there and telling jokes, you can be in character.
AO: You do that well. I can see your acting experience. I like when improv has a connection to the acting.
Cait currently improvises with Philly Improv Theater house team Davenger directed by the amazing Maggy Keegan. She can also be seen in improv duos DupliCate and Mr. and Mrs.