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  • October 2, 2014 9:00 pmThe Comedy Attic
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  • October 3, 2014 8:00 pmCrazy Cow Comedy
  • October 3, 2014 8:00 pmThe N Crowd
  • October 3, 2014 8:30 pmFigment Theater: Sessions @ Studio C
  • October 3, 2014 9:30 pmFigment Theater: Sessions @ Studio C
  • October 4, 2014 7:30 pmComedy Sportz Philadelphia
  • October 4, 2014 8:00 pmCrazy Cow Comedy
  • October 4, 2014 9:30 pmThe Comedy Works
  • October 4, 2014 10:00 pmComedy Sportz Philadelphia
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  • October 8, 2014 8:00 pmComedy Masters
  • October 9, 2014 8:30 pmFigment Theater: Sessions @ Studio C
  • October 9, 2014 9:00 pmThe Comedy Attic
  • October 10, 2014 7:00 pmThe Comedy Works
  • October 10, 2014 8:00 pmCrazy Cow Comedy
  • October 10, 2014 8:00 pmThe N Crowd
  • October 10, 2014 8:30 pmFigment Theater: Sessions @ Studio C
  • October 10, 2014 9:00 pmFall Comedy Train Rek
  • October 10, 2014 9:30 pmFigment Theater: Sessions @ Studio C
  • October 11, 2014 7:30 pmComedy Sportz Philadelphia
  • October 11, 2014 8:00 pmCrazy Cow Comedy
  • October 11, 2014 9:30 pmThe Comedy Works
AEC v1.0.4

Discussing a Bit with Matt Holmes – Premise

by Matt Holmes

In an HBO comedy special called Talking Funny, Ricky Gervais welcomed Jerry Seinfeld, Chris Rock, and Louis C.K. for a discussion. The topic of “premise” came up, and they cited its importance. They highlighted that Chris Rock will be blatant about it, even literally saying the premise and repeating it again and again to punctuate his point.

Rock says that if it’s not working, it’s not working because the audience doesn’t understand the premise. Perhaps the difference between a real pro and an amateur hack is the talent, time, effort, and finesse involved in crafting a clear premise.

You have to have some kind of premise to play. A good comedian will let everybody know what it is that we’re talking about. It could be acted out scenically with characters or told as a story through observations or monologues. It could be a topic explored from different angles. It could be a running gag. It could be another scenario that serves as another example.

In comedy, the premise answers the question, “What’s the point?” It’s what you “get.” It’s why I should pay attention. It’s what helps you do more on the joke, what helps your scene partners build on it, what helps you fine-tune it.

If it’s not clear (for you and for the people watching you), it’s going to be harder than it should be. It can be easy and fun, but you have to have some kind of premise to play.

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