Becca Trabin is a stand-up comedian and improvisor living in Philadelphia. She is a member of Philly Improv Theater house team Mayor Karen and the host of Town Hall, a monthly show featured on The Sideshow.
How and why did you get into comedy? When I was about eight years old, I went on vacation to North Carolina with my extended family. We went to a huge, fancy seafood restaurant, about fifteen of us, and when the check came, the grown-ups were all a little taken aback. I said, “SOMEBODY’S gonna be doing dishes!!!” which is a joke I’d obviously heard on TV. Everyone lost it, and I was floored by the feeling that gave me. Later I realized they were laughing in part because, why would an 8-year-old say that? But I think that specific moment triggered something for me.
How would you describe your style as a comedian? What influences and factors do you think contribute to that? I feel like it’s kinda different every time and always growing. People have described my stuff as silly, cerebral, dark, weird, self-deprecating. I want it to be all of those things dynamically. I’ve definitely struggled in my life and have something to say, and am okay with making myself vulnerable to an audience.
Do you have a single favorite moment in Philly comedy or one that stands out? Not really. Lots of good times. Stuff I wouldn’t post online.
Do you have any sort of creative process that you use with your writing or your performance? Or a sort of method that you use to develop comedic material? With stand-up, I usually come up with ideas accidentally when I’m hanging out with my friends or walking around, and then I flesh it out later. Many times, I’ve come up with the best parts of a bit right before I’m about to go up, because in my nervous energy I think of a great line or two.
What is it about stand-up / sketch / improv that draws you to it? I do mostly improv and stand-up, and I’m drawn to them over other kinds of comedy because you can get your idea out there without much rigmarole. Stand-up and improv counterbalance each other for me. With stand-up I have to be egotistical and with improv I have to let go again and become a small part of a whole. It’s therapeutic and cathartic and keeps me feeling happy. Improv and yoga are proactive measures against mental or physical unrest for me, and they help me stay centered and present.
Do you have any bad experiences doing comedy that you can share? A particularly bad bombing or even an entire show gone haywire? I did a set a year ago at a gay variety show at a nightclub. I had to follow a larger-than-life drag queen who wore foot-tall platforms and a foot-tall wig and sang and danced and was delightfully hysterical. I wasn’t confident, and I pretended not to mind somebody heckling me, and I bombed really hard. Jess Carpenter bought me a drink afterwards and then I walked across town to do an improv show, and I cried for a minute in the bathroom and thanked god for improv. My team was like, “Let’s do your favorite warm-ups!”
What do you think the Philly comedy scene needs to continue to grow? I think one of us should just ask Tina Fey very nicely to make a donation for a permanent space for PHIT. Right? We need to shoot more videos and put more content online, and branch out to work with other venues and arts organizations. Gain more allies, to borrow activist parlance. We have to take fundraising more seriously and get better at it. Some improvisors are already generating ideas to get diversity programs started, so that, among other things, it’s not just white kids who get to do improv in Philadelphia. I’m sure other folks would like it too. Improv is weirdly white. Stand-up is just weirdly male. Anyway. We need a popcorn machine.
Do you have any personal goals for the future as you continue to perform comedy? I want to do more stand-up in character, more stand-up in general, put together some shows, keep an updated website, do projects with my favorite people and continue to grow and open up and have fun.